Achebe Response

Wow. 

After reading this response to Heart of Darkness, it really throws a new light onto the book and how we as readers should look at it. We may realize that it is intensely racist in small ways or some parts, but the comparisons Achebe makes are somewhat frightening. By this I mean it's frightening that I did not pick up on some of them. 

Perhaps the idea of racism is so ingrained into our (white people) brain's that it's actually hard to distinguish when things are and are not racist. Being the discriminated against group is always a struggle, but to have it so blatantly ignored (while unintentionally) is appalling. While I do realize that we are all racist to some extent, I tend to wonder why. 

Achebe made the point that he wondered how this man, Conrad, could be considered an artist if he was so completely and utterly terrible in his intentions. He makes a comparison to the Nazi "great minds" that were eventually considered bad enough to not be considered great minds anymore. Perhaps what needs to happen in the literature sphere is a rethinking and new approach to "classic literature." If we look at many classic books we may find blatant racism that we refuse to acknowledge or that we know is there and yet still teach it. Is teaching these novels spreading racism or at least affirming that it is okay in people? I'm not sure, but it does leave one wondering if these novels can really be considered classic if they are so problematic. 

It seems in Conrad's novel he dehumanizes Africans to the point of them 1) not having language except to show how brutish they are, 2) use them as a foil to another planned white character, a point of comparison and nothing else, and 3) purposefully forgetting history and glorifying Europeans. This novel kind of reminds me of the white kid trying to go into the black neighborhood and make everything better because "I understand your struggles." Appropriation is disgusting, and yet here we are given a novel of it. 

Additionally, when Achebe described Conrad's apparent obsession with the black skin color and his overuse of disgusting words, the reader has to find themselves going back to the novel and wondering when they missed these moments of glorification of skin. 

Overall, this article was really enlightening and also terrifying in that I didn't even realize that some of this abuse of a culture was happening. It would be easy to say that this article will change how I look at literature in general, but I think this is a long process of looking at why we even choose the literature that we do as classics. Or rather, if the literature that we choose is really a classic if it is also dripping with cultural appropriation and racism. 

Heart of Darkness - blog #2

whoop!

~beep boop let's start

Imagery

The imagery in general was actually very interesting because Conrad employed a Hemingway-esque sort of thought (then again, Hemingway probably employed a Conrad-esque style in his work) in his work. Instead of describing the scenery to let you imagine how it felt, he described the feeling so that you could imagine the environment. I really love this type of writing because it's a style that helps me imagine so much more effectively. However, I think this is just something for me because not everyone likes to feel instead of see.

I liked, specifically, this small part where they say, "As to me, I seemed to see Kurtz for the first time. It was a distinct glimpse: the dugout, four paddling savages, and the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home--perhaps; setting his face towards the depths of the wilderness, towards his empty and desolate station." (28)

I like this because it's not only a description of the scenery (although it doesn't support my previous theory), but it's a huge bump of symbolism. It shows that Kurtz has sort of become one with the wilderness and the "heart of darkness." He's not really a "proper white man" anymore and he will probably do whatever it takes to survive. He has literally and figuratively turned his back on the white society trying to be all imperialistic on the African community.

This is kind of confirmed with the information that we get later about Kurtz from like everyone ever that says that he's turned to the side of the natives. Then again, the narrator is pretty unreliable so I'm not sure exactly what to think. It could just be a romanticized version of the man from our very romantic narrator.

Another piece I liked with more symbolism that i'm not quite sure I can even discern is when the narrator is talking about those guys talking outside the boat and one has the dolphin flipper of a hand and then they talk about them walking away in the setting sun and: "They swore aloud together--out of sheer fright, I believe--then pretending not to know anything of my existence, turned back to the station. The sun was low; and leaning forward side by side, they seemed to be tugging painfully uphill their two ridiculous shadows of unequal length that trailed behind them slowly over the tall grass without bending a single blade." (29)

I definitely feel like the unequal shadows mean something, perhaps in the context of the pair being unequal but otherwise I'm not sure. It just seemed like an important moment.

One more. "Going up that river was like traveling back to the earliest beginnings of the world, when vegetation rioted on the earth and the big trees were kings. An empty stream, a great silence, an impenetrable forest. The air was warm, thick, heavy, sluggish. There was no joy in the brilliance of the sunshine." (30)

I like that description because it brings you a feeling by a description of something else you know (prehistoric times or what have you) and then also brings you a setting by describing a feeling (sluggish air). There's another moment way later (not sure on where) that he talks about the air being muggy and I think it's the part with the fog but it really let me be a part of the scene.

The River/Natives

The river, as in many stories involving these natural wonders, seems to be a character in itself. It has many human qualities, like you described, with the "hidden evil" and it having a "heart." and so on. Their entire trip along the river has kind of been fraught with bad omens and bad luck and I, personally, would have taken all these misgivings as a sign that you probably shouldn't be making your way down a river you describe as evil I mean come on.

But in general, there are contrasting images of the evil of the river and the beauty of the river. Most of the evil is described in the way that it is untapped and raw. It's just like the natives. I suppose it's kind of an allegory for them in a way?

I especially liked this description "The earth seemed unearthly. We are accustomed to look upon the shackled form of a conquered monster, but there--there you could look at a thing monstrous and free." (32) The basic theme of everything involving the river and the land is that it is raw and new and yet old as anything. It's the oldest thing here. While everything else (all the colored parts of the map) is filled in with human development, these blank areas (untamed areas of no color) are strange and old and unearthly because earth is human and this is no such thing.

The natives are portrayed as the first men that are strange and tribal and terrifying. Finally, they are the prevailing people in the region and their drum beats chase out the white men and terrify them. I think this is very important because it shows that this area is unconquered.
I mean, later we do see some mistreatment and some shaming/racist. They basically say all the people shooting arrows are dumb and the only thing that was wrong with the helmsman getting shot was that Marlow was grossed out and had to change his shoes.

Also, they kind of make fun of the hippo meat and the cannibals and they also comPLETELY mistreat the cannibals. They give them pieces of wire so that they can go get food at the stations, but it's impossible because the stations either don't exist or the natives are hostile. And then Marlow basically doesn't care that they don't have food and kind of just drops of the idea and is glad they have the "restraint" not to eat the crew.

And there is a comparison of black and white reactions on page 36. It talks about how the natives and how the whites react to how the situation is unfolding and how they are all alike in that they're strangers to this part of the land.

On Belief

First of all, I think the "belief" section you're referring to is a section that I did not understand in the slightest and that's why I'm having so much trouble trying to figure out what to say here.

The only "belief" that I found was a bit of existentialism on page 35 where Marlow says "...but before I could come to any conclusion it occurred to me that my speech or my silence, indeed any action of mine, would be a mere futility. What did it matter what anyone knew or ignored? What did it matter who was manager? One gets sometimes such a flash of insight. The essentials of this affair lay deep under the surface, beyond my reach, and beyond my power of meddling." (35)

Basically, there were like two passages that I didn't understand and I think this was one of them so I'd like to forward this discussion to number one on the list for class discussion.


Other Important Stuff

• I noticed a lot of information on sound and Marlow describing people, especially Kurtz, in terms of sound. Like, specifically, Kurtz is described by Marlow as a voice. I think there are probably some cool connections with that and the constant sound of silence Conrad likes to describe. This could be a really cool essay topic, and I'm sure others have written on it at some point.

• this line: "you can't breathe dead hippo waking, sleeping, and eating, and at the same time keep your precarious grip on existence." (37) I find it really hilarious

• Marlow appears to notice at one point that he is totally obsessing over Kurtz and that he kind of just risked some people's lives just to see him. I believe he kind of rethinks what exact choices he's making with that. This is when the helmsman is killed and Marlow is kind of trying to distract himself from the horror by comically throwing his shoes overboard, but he's also rethinking and wondering why he ever thought Kurtz was more important than human life. However then later he starts freaking out and going back on the decision but I MIGHT NOT GET TO TALK TO KURTZ OMFG WAT DO I DO

• on page 44, I liked it when he talked about how there was a difference between your humanity in the wilderness and your humanity in the discovered world. (of course then we learn a lot more about Kurtz too)

• Also, lbr, I loved the eccentric little Russian dude. Show me any Russian little cutie in mismatched clothes and I will immediately fall in love with the character. Doesn't matter who. I romanticize them. Speaking of him, we should also talk about the little book that's the manual that Marlow thinks has ciphers in it, but really it's just Russian. 

Heart of Darkness

New book!

Characters

As we first begin, there is a strange writing format used. The writer introduces a sort of preface with the men on the boat (Nellie) at the beginning, and then he has one of the men tell a story through all the text. It's a little awkward and I feel kind of bad for him since he has to do all the quotations and things. But it's also an interesting mode because then we can see the character telling the story's thoughts. I kind of like it, actually. Then again, this format does leave out a lot of important details and only tells about Charlie's view.

Speaking of which, characccctterssss.

Another character was Fresleven. He was the previous captain of the steamboat that Marlow is to captain. How ominous is it that he died and now Marlow is supposed to captain this same ship? Like, literally everything is trying to keep Marlow off that boat. The boat also needs rivets and is falling apart. Something wants Marlow to stay off that boat. It's probably the universe. (Also Fresleven sounds pretty freaking dumb to fight over two hens. So let's just pretend his stupidity never happened and he is happily alive piloting a different steamboat.)

Then we have the two women which I marked in my book as the fates. They are pretty much knitting away and introducing people to this crazy world.

Next is the freaking weird doctor who measures Marlow's head and is super creepy and Marlow is like wtf is up with this man. I know something is up with this dude, like there's obviously symbolism, but I'm not sure exactly what it is. Thoughts?

We talked about the accountant below.

The brickmaker is pretty much my favorite character at this point. Like, I hate him, but I also think he's hilarious. He's the classic worker who's aspiring to be a manager. Literally the only reason he's staying in this job is to be a manager. He doesn't even have the material to make bricks and he pretty much just sits around scheming all day. He also reads private correspondences and thinks that Marlow has something special about him (but Marlow has no idea what this is about until he thinks hard and remembers his aunt). 

and then lastly Eldorado Exploring Expedition came in at the very end of part 1. Their main goal is "to tear treasure out of the bowels of the land...,with no more moral purpose...than there is in burglars breaking into a safe." (pg. 27) They sounded really annoying and they were just taking things from the land and they were kind of disgusting to me. I know they're supposed to be, but maybe we'll hear more about them later.

Basically everyone so far is out for themselves. There isn't anyone there who is there only to serve others except for the natives. And they are being forced to do so. Everyone is just mining the land and the people.

Marlow

Charlie Marlow is the narrator of the story (after that first dude on the ship). He's super interested in Africa. This is because he's an explorer and got an urge to go to Africa and pilot a steamboat. So his aunt pulled some strings--without telling Marlow exactly what she did--and he got to go. However, once he got there, everything wasn't exactly how he'd pictured it. He's pretty idealistic and he also thinks that he knows just about everything. He's always judging the other characters--either in good ways or bad--and he believes himself to be the sole source of adventure and exploration in this group. He literally calls others coming in "infestations." He's also pretty gosh darn racist. He comments on the natives as if they aren't people, uses language he shouldn't (although that was apparently common), and is generally wary of the natives. He's also super sexist and oppressive to to the native culture.

Exhibit A:

• "His starched collars and got-up shirt fronts were achievements of character. He had been out nearly three years; and, later, I could not help asking him how he managed to sport such linen. He had just the faintest blush, and said modestly, 'I've been teaching one of the native women about the station. It was difficult. She had a distaste for the work.' Thus this man had truly accomplished something." (pg. 15)

Exhibit B:

• On page 10 there is this paragraph that talks about how women have stupid ideas and "how out of touch with truth they are." 

Exhibit C:

• "Moreover, I respected the fellow. Yes; I respected his collars, his vast cuffs, his brushed hair. His appearance was certainly that of a hairdresser's dummy; but in the great demoralization of the land he kept up his appearance. That's backbone." (pg. 15)

I mean, does your appearance really matter so much to you that you'll cause demoralization just to keep up a facade of your prim and proper self in a land that is decidedly not prim and proper? What kind of bass ackwards logic is that?

Marlow's journey is also pretty interesting. He's constantly trekking through Africa on dirt roads and with people to carry all of his things. he thinks he's "on an adventure." He doesn't realize that his adventure is at the expense of others. [also I feel like the staves represent something, but I'm not sure exactly what?] Also, anytime any native person dies every white person regards it as gross or a good thing. Specifically, there was one point in which they see this white guy on the side of the road and a couple of miles away they also see a native with a shot through his forehead. Marlow says he was upset because he had to step over him. Siiiigh. 

But overall, the journey is filled with death and dryness and it's like he's journeying into a land of death and despair. Which he is. I also find it interesting that the only cool place is the shade trees where the natives go to die. 

And the Buddha thing has Marlow as a symbol of a god or a higher being. He's also imposing his wisdom on others on the ship and Buddha is a symbol of wisdom. 

Important Lines

• "The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much. What redeems it is the idea only. An idea at the back of it; not a sentimental pretence but an idea; and an unselfish belief in the idea--something you can set up, and bow down before, and offer a sacrifice to...." (4) commentary on imperialism
• There is a juxtaposition on pages 14-15 that show the shaded area with all the natives. It then moves, on page 15, onto a white lit, dry area that has only white people in dominant positions. The descriptions of each are as would be expected.
• And then there was also this really strange line that I don't know if it's just the language translating weirdly (the 1800s, man) or if Marlow has something going on. But, at one point, on page 21, Marlow is talking to the brickmaker and says "It was very pretty to see how he baffled himself..."
• There are really great pieces of conversation throughout the novel. Conrad is wonderful at typical conversation.
• About the brickmaker: "...this paper-mache Mephistopheles, and it seemed to me that if I tried I could poke my forefinger through him, and would find nothing inside but a little loose dirt, maybe." (23)

Beautiful Lines

• "We looked at the venerable stream not in the vivid flush of a short day that comes and departs forever, but in the august light of abiding memories." (2)
• "Light came out of this river since..." (3)
• "...Afterwards he arose and went out--and the wilderness without a sound took him into its bosom again." (20)
• "Beyond the fence the forest stood up spectrally in the moonlight, and through the dim stir, through the faint sounds of that lamentable courtyard, the silence of the land went home to one's very heart--its mystery, its greatness, the amazing reality of its concealed life." (23) Conrad talks about silence a lot as a sound and I really like that. All of his descriptions are really realistic and I feel like I'm experiencing it.
• "I listened, I listened on the watch for the sentence, for the word, that would give me the clue to the faint uneasiness inspired by this narrative that seemed to shape itself without human lips in the heavy night air of the river." (24)

End of Slaughterhouse-Five!

I'm sure you're wondering if I'm happy I finished this novel, and I can honestly say that it is a huge weight lifted from my shoulders in terms of content and writing and stress. 

Let's get down to business.

Dresden Comparisons

Okay, there were actually quite a few comparisons to the video. This was expected, of course. One that really stood out was the horrifying descriptions of the corpse mines. I know they didn't specifically talk about this in the video, but they did talk about all the bodies all around (sometimes stacked up like walls) and I think that relates. At first it seemed kind of strange that they were digging into the rubble--of course, one would expect something like this if they were looking for survivors--but then they kept doing it. After they knew they had found bodies, the Americans and others kept having to dig up or burn these bodies. People died in this process of body searching. How strange.

Another comparison would be to all the rubble and to the extreme heat. They talked about how the ground was hot to touch and how shoes melted to the ground in the video and in the novel they complained about touching hot rocks on their corpse searches. 

In addition to all that, I believe they also mention coming out of this shelter after days inside, after ALL the bombings had stop. This means that there were the four bombings, as mentioned in the video. Nobody in the American troops seemed terribly concerned about it all though. However, this whole ordeal stuck with Billy.

It's very interesting that something like this would stick with Billy after all the things that did not affect him or that he was apathetic to. Why did Dresden haunt Billy and why did he feel the need to bring it up later to the rich man with the broken leg who shared his room?

But perhaps that's why the name of the novel is Slaughterhouse-Five. If anything should stick with us through the novel, if we should remember anything about it, it is that Dresden was horrific and no one believed them. 

Characters

I'd like to comment on three characters in this section. 

1. Edgar Derby

We were able to see much more of Derby's character in these few scenes. First of all, we saw how it seemed at first as if he wanted to switch sides with the American-turned-German, Howard W. Campbell Jr. Of course, we were all wrong. Derby was just being his static self and standing up for his ideals of Americanism and Patriotism. 

Classic Derby.

From there, we don't see a ton of Derby, but we do get to see his death. We see most people's death in this story. 

While they're going through the corpse mines, the Americans are also looking for souvenirs. Derby happens to take a teapot. He is shot for it. Of all the things they've been through, that's what finally gets Derby. 

2. Howard W. Campbell Jr. 

This guy is...interesting. He's like the Devil trying to get people to switch to the dark side. He's an American turned Nazi. He has a very neat outfit that he put together all himself that is the assimilation of Americanism and Nazism. It's like a blue jumpsuit with a bunch of red, white, and blue swastikas and a white, ten-gallon hat. He's like the cowboy of Germany. Except he's an American. 

He's also very rich and tries to bribe others with food to switch sides. He says that they'll end up on this side anyway, so why shouldn't they come now? He's wrong, but that's besides the point. 

I don't really know what to think of Mr. Campbell, or if he even deserves that title, but he was a comic addition to the story.

3. Kilgore Trout

Kilgore is a science fiction writer. He's also...interesting. No, actually, you know what, I hate this guy! He puts all these stupid ideas into Billy's head and that's probably what caused all of his troubles in the first place! Like, all of the things that Billy has hallucinations (I have a theory, based on pg. 190, that Billy's hallucinations are caused by his coma) about are either in his books or are suggested by him. 

For example, in Kilgore's book The Big Board, it says that "it was about an Earthling man and woman who were kidnapped by extra-terrestrials. They were put on display in a zoo on a planet called Zircon-212." (pg. 201) Clearly, this is an example of Montana and Billy on Tralfamadore. 

(Also, Montana Wildhack being a freaking porn star?? Reallllllly???? Not like I didn't expect this, but come on.)

Also Trout is just gross and only cares about himself and that whole disgusting disgusting disgusting paragraph about how Maggie Mae was the kind of woman a guy looks at and wants to "fill up with babies." That's sooooo gross it's the grossest most disgusting thing I've ever read. It makes me want to throw up with it's disgustingness. Trout is a vile and slimy character. 

???? EXTra bONuS !!!!!!!! ---->> KURT VONNEGUT INTERRUPTION

Vonnegut interrupts a few times. One that is particularly significant is the ending chapter where it just sort of switches back to his point of view. 

But another is on page 189 when he alludes to fear of old age with the man who has bad gas and is talking about how he knew it'd be bad, but never realized it would be this bad. 

Oh and I liked when Vonnegut recognized, on page 164, that he had basically no characters who do anything significant at all and they're all "listless playthings of enormous forces." It confirmed the things we've been saying.

Wrap-up

I feel like it didn't wrap up that well  in that you could tell that it was wrapping up. It was like the ending of a long speech where they have to let you know it's about to end so you can get ready to clap.

Banned Books

I don't know whether or not this novel should be banned. I don't think any books should be banned, so I'm just gonna say that first. I can see why it would be on a list of books that parents are uncomfortable with, though. 

One, it talks about death frequently, which is a scary topic for most. 

Two, it talks about war frequently, which is another scary topic.

Three, it talks about sexual things frankly and sometimes really graphically.

Four, there is just a lot of uncomfortable, weird stuff in this novel??

So, I could see why someone would want to ban it. But banning books is wrong. 

Pretty or Interesting or Lines I liked

• "The guards drew together instinctively, rolled their eyes. They experimented with one expression and then another, said nothing, though their mouths were often open. They looked like a silent film of a barbershop quartet. 'So long forever,' they might have been singing, 'old fellows and pals; So long forever, old sweethearts and pals--God bless 'em--'" (pg. 178, about Dresden)
• I liked that this was brought up when the rich guy keeps ignoring Billy when he tries to talk about Dresden. He says, "I just want you to know: I was there." (pg. 193) This is a common theme among soldiers, and I think that it was very important that this was recognized.
• "The window reflected the news. It was about power and sports and anger and death. So it goes." (pg. 200)
• "Billy thought maybe he had known this cracked messiah in Dresden somewhere." (pg. 167)

4-6 SL-5

Another day, another blog.

Video: "For the first time in history, a firestorm was consciously planned."

It seems like Dresden was a pretty spectacular place before the bombing. This is judging by book descriptions and alllll the footage about how amazing it was. However, how very horrible it was that so many refuges had come to the city to be saved only to have even more of a death toll. Some of the descriptions were terrifying. What was especially horrible to me was the shoes melting to the asphalt and the story about the woman pulled out of the way and a beam falling right where she was. The emotions of the people telling the stories about the bombing were off the charts. One more horrifying part was how they waited two hours to bomb again. This was because they wanted the ambulances and everyone there so they could kill more people, I suppose.

There was one part of the video where they agreed with the book (or the book agreed with the video) about how Dresden was assumed safe. Dresden could never be bombed. It was off the radar. It also said that the people of Dresden put their trust into the Americans and English, which relates back. Also, interestingly enough, it was mostly all women speaking about these horrors. This relates to our novel because the men never want to speak about it (sometimes the women don't either, admittedly).

Unrelated, but it could be related later, some Czechs came and laughed at the destruction and took the clothes from people . And, the quote from Winston Churchill that says: "looks like we slaughtered the wrong pig." I suppose that could also relate to our novel's title.

After watching this video I felt their emotions, but I was having trouble imagining the ruined city. So instead, I imagined my block and my hometown ruined and in millions of little pieces with no reason behind the attack. It made me want to cry and made me feel very numb. I can understand how they felt, though never completely.

Video: "I'm not Billy Pilgrim."

So Edward Crone is supposed to be Billy Pilgrim and he died of the thousand mile stare. He was buried in Dresden and his parents came and finally found him. He said Billy Pilgrim didn't understand anything at all.

However, Vonnegut seems to definitely not care about his life and have a lot of survivor's guilt. He also makes it seem like he had it worst when he's talking with his friend. I mean, possibly he did, but whatever. The point is that they both fought in the war.

I kind of feel like maybe possibly Billy Pilgrim did exist, but what Vonnegut did was pour his own feelings of detachment and apathy into this character. This makes it okay because he it wasn't hIM who was the "dirty flamingo." It was just this kid Billy Pilgrim who didn't understand anything about the war.

Tralfamadore

I don't think Tralfamadore exists. This novel isn't fantasy/sci-fi for one, and second, Billy is suffering from severe PTSD. This means that he is probably having hallucinations. That would be my main guess. In the novel, certain objects or situations transport Billy to the planet. I believe you even said something about objects in his house relating to the form of the aliens. We have already talked about this a little, but not extensively.

I think Billy believes it exists because 1) the familiar household objects give a sense of security and realism, and 2) PTSD hallucinations are very, very real while happening. In general, Billy was not given (obviously) the correct treatment in the mental hospital. This was common though.

I think the reason Billy is imagining these "aliens" because he wants to get away or escape from life (or war tore him from reality) and aliens in a spaceship could be about the easiest way to do it. He lives a normal life inside the terrarium on Tralfamadore and even comforts himself with the "death is just a point in time." I think that makes him feel better about war n general.

Characters

I thought that Roland Weary was an interesting character, and you said so also. I liked how he was so prepared for war and to kill, but what he really wanted was to be a part of something ("Three Musketeers;" by the way, what is up with that candy bar??). I think while Weary seems mean, he's just trying to fit in. His redeeming quality is the "we" or "team" thing.

Paul Lazarro is also a very fascinating character. He is purely mean-spirited. This is cool for a character because he's so flat and unchanging (always keeps his word). But I suppose his one human quality is trying anything to save himself. I think what he wants, at times, is just respect. That's why he damages others.

Edgar Derby is the quintessential "fight for my country" soldier bro. He taught English, took care of his body (and later others), and got in the army when he was older. Derby is very human and caring, but I also don't think it's what he wants to do, he just feels it's his duty. All the characters are different archetypes you see in war novels.

Commentaries

I like that the human-against-human aspect of war is shown. It's very murky. It's not just one man against another. Especially the scene with the Russian guy speaking gently to Billy at night by the fence. That's probably been one of my favorite parts of this novel. Human-ness and humanity are what attract me to stories and novels.

Free Will

And I believe we spoke about free will and how there are varying degrees of it.

Slaughterhouse-Five Blog #1

First of all, the introduction was interesting. If you could even call it an introduction. I think that it's a little funny, too, that we are just talking about introductions in English 101 with The Turn of the Screw and if they are necessary or not. I'm not sure about this one. Originally, it was a little confusing. However, looking back, I think it gives away more than it hides. It makes it seem like this is less fiction than real life and that Slaughterhouse-Five could actually be real. This brings in an element of interest because this could all be real stuff and real people and you could be reading a true story--even if it says it's fiction.

There were quite a few instances of satire in the first chapter, too. Most of the things that came out of Vonnegut's writing were either making fun of something or presenting a completely uncomfortable similar thing. For example, on page 4 when he talks about "getting this disease late at night" but really he's just talking about he himself getting drunk because he's sad. Also, when he talks about the anti-war and anti-glacier books.

((I also thought that the line, "The destruction of Dresden was represented by a vertical band of orange cross-hatching, and all the lines that were still alive passed through it, came out the other side" (pg. 5), related to the poem "Buttons" we read. Basically that entire paragraph. Just the juxtaposition of crayon on paper to the actual atrocities happening.))

[Oh! and a related line to City of Thieves that I found very interesting: "...who took us to the slaughterhouse where we had been locked up at night as prisoners of war." (pg. 1) This is opposed to CoT's "In the slaughterhouse where we first kissed, the air still stank from the blood of the lambs."]

The view on war in this book seems to be that it was useless and futile because everyone is going to die one way or another anyway. However, the view on death seems really optimistic, somehow? Especially the lines on I-don't-know-what-page about death being a point in time where you're not alive, but you are alive in some other point in time. It's kind of strangely comforting. Most people in these few chapters realize that war is bad and no one is going to make it out (relating back to the poem about duty), but some people were a little more optimistic. This is seen in the two snipers (were they snipers?) who try to leave "the three musketeers" but are shot. Additionally, a lot of terrible things in this book--like the packed train to the camp--were represented not at all terribly. This kind of relates to CoT with how a lot of very terrible things didn't sound that terrible to them because they'd had worse. 

On to structure. I kind of really, really don't like the structure of this novel. Stream-of-consciousness makes me so upset because you get all this unnecessary, round-about information that no one actually wants and you take away from the actual story. Sure, you get some details/thoughts you may not have before, but you don't get the actual elements of plot. Going off of that, this style left me with little to no understanding of what the hell was happening. 

Questions:

• I really don't understand anything about the "unstuck in time" thing. It's confusing and I know things about the story I don't want to know yet. I feel like I read the ending before reading the beginning. It's a little frustrating. Half the time I have to read over what I just read about five times before I realize that this isn't present day or this isn't during the war. The only explanation that I really found while reading could be a kind of PTSD thing. I honestly don't know.
• Billy Pilgrim makes me want to smack him. He obviously has some form of PTSD but also he is a drag and boring and apathetic.
• The "So it goes" lines seem to happen after every death. That's interesting.

Cool lines:

• "Through the valley flowed a Mississippi of humiliated Americans." pg. 64
• "Now they were dying in the snow, feeling nothing, turning the snow to the color of raspberry sherbet." pg. 54
• page 53 3rd paragraph

Options for Final Project

In looking at what to do for the final project, I researched fairy tales and their common elements and compared them to the book.

1. Set in the past. Check. This book is set during WW2 in Leningrad. 
2. Include fantasy, supernatural, make-believe aspects. While this isn't a concrete thing, there were several mentions of how unreal everything was. How there were cannibals and death and whore houses and how war made everything strange and unrealistic. Like they were somehow removed from the real world. So I think this could be a nod to the fairy tale aspect.
3. Clearly defined good/evil characters. This one was harder. I think it's not so much good and evil characters, but something else. I believe all the characters are supposed to be the "good" aspect, and the environment is supposed to be the "evil." Or rather, the war is the evil. I know there are some characters that could be defined as evil, but I believe they are only that way because of the environment.
4. Involves magic elements. Alas, there is no magic in this story. I wouldn't even know what could relate to this. 
5. Objects, people, or events in threes. The trio (Lev, Kolya, and Vika) could be classified in this way. The dozen eggs are a multiple of three. I think they also have three hundred rubles at some point? I could be wrong on that, though. This one is kind of a stretch, but there are a few elements in threes. 
6. Focus on a plot/problem that needs to be resolved. The entire trip they are focused on getting the dozen eggs for the colonel, so I believe that counts.
7. Often have happy endings, based on the resolution of the problem. Well, I guess the ending could be seen as a kind of bittersweet happiness. While Kolya did die, Lev did get the eggs to the colonel and the colonel gave him two first-class ration cards and we do know that Lev and Vika lived "happily ever after." 
8. Usually teach a lesson/values important to culture. I'm not exactly sure what the lesson would be. There isn't a huge theme throughout the book, but I guess friendship could count. 

I then looked at another sheet for common fairy tale elements.

1. Special beginning or ending words. The beginning and ending words kind of matched. Vika saying she didn't cook.
2. Royalty. There are a few people who could be considered royalty in this story. Probably the NKVD man who sent them for eggs and the Nazis who captured them. Also the girls in the log cabin could be considered royalty, even if they are being forced. 
3. Poverty. It's everywhere. It's basically the whole book.
4. Universal Truths. Coming of age, sexuality, friendship, bravery, fear, war, and so on. 

There was also one common motif that I found very fitting: Impossible tasks. 

And while I was looking on that page, I found something else interesting that could be related. 

Morphology

analyzes the function of each character / action = a tale is composed of thirty-one elements and eight character types; Vladimir Propp, Russian fairytales

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After that, I looked at Kaputt and The 900 Days. It appears that Kaputt was part autobiographical and part fiction. This means that some of Benioff's information on the siege could be a little off. However, it appears that The 900 Days was pretty much completely accurate. However, it appears that most of the source information (people) are now dead. There is one person, though, who talks about how there is an overuse of people from "the arts and crafts crowd" (artists, poets, musicians" opinions. This would make sense with the views that we get from Benioff. Other than that, I didn't really see anything that could have made any of his telling faulty. 

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I think I'm either going to be on the track of writing a paper or doing the video with information option. Unless we can come up with something else that could be interesting and informative. 

Also, I'm pretty sure I want to do the fairy tale paper/video.